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Throughout his career to date, Allen "Deadboy" Wootton has proved adept at delivering heavyweight, peak-time-friendly cuts that put bustling rhythms and big basslines front and centre. Where this EP for Unknown To The Unknown - his second in total - differs is in its unwavering commitment to mood and melody. Check, for example, "No More", where spacey, delay-laden female vocal samples and glassy-eyed, sunrise-friendly pads slowly stretch out over a snappy, hybrid UK garage/Chicago house groove. Elsewhere, Wootton's new commitment to ear-pleasing musicality is expressed in different ways. There's the lilting pedal steel notes and drifting vocals of 'So Cold", the bustling but deep and spacey thrills of "Silicon", the undulating, Marimba style melodic bliss of "Ryuichi" and the ultra-deep, early '90s ambient house inspired brilliance of closer "Venus and Mars".